This week the boys and I made a general mess, moving furniture about to convert our dining room into an avant-garde, everyone-wants-to-be-there ‘PP GALLERY’. As you know from my last blog post, this is the beginning of my homeschool art project with the kids. We’re going to PARTY with hip artists & snazzy characters from history (fictional and otherwise) whose portraits we’re sticking on the walls. The installation of this #PortraitParty will be laid out over several weeks, and involves a covert operation with which to surprise Daddy (Hernan), our guest of honor. Our secrets will be unveiled at the opening, or vernissage of the PP GALLERY (PP stands for Portrait Party, and of course has the unreasonably sophisticated reference to our refined toilet humor).
After a few weeks of self-isolation, I realized my edge on getting the kids into art history wasn’t cutting it with wonderful museum virtual tours. Even the naughtiness of Beyoncé & JayZ’s Louvre music video, ApeSh**t, had lost its luster for Storsh (aged 9) and Balthazar (aged 4). Moreover, art at home with Balthazar (making a police bus out of a cherry tomato carton (clad with criminals), or becoming a pressed flower card-making factory for Easter) wasn’t replacing the in-person drip of art history games that the boys are used to.
Ever heard of the terrible 5th century Plague of Athens? Over 2400 years later we’re living though another dreadful health crisis. How did the Greeks handle theirs? And is coronavirus comparable to the many illnesses that have hit the world so far? Historians and art-historians like us love to say that the past always teaches us something. Some stories, like that of the Plague of Athens, are timeless, and we can learn from them even today.
Il Diadumeno di Vaison è una statua Romana in marmo che rappresenta un atleta vittorioso. Trovato a Vaison, una cittadina Romana nella Francia Meridionale, questo meraviglioso tesoro è oggi al British Museum (perché il Louvre si rifiutò di acquistarlo per il suo ‘prezzo spropositato’!). Si tratta di una copia romana realizzata su un modello originale greco in bronzo. Prova a pensare a quanto i Romani impararono dai Greci… Dopo aver conquistato le loro terre, portarono a casa tutte le loro opere più belle per farsi ispirare da esse. Chiaramente, non avrebbero potuto dimenticare il Diadumeno, un meraviglioso pezzo realizzato da uno dei più famosi artisti della Grecia Classica, Policleto.
The Daidoumenos of Vaison is a Roman marble statue of an ancient Greek athlete. Found at Vaison, a Roman town in Southern France, this beautiful piece is at the British Museum (because the Louvre refused to buy it for its ‘unreasonable price’!). The statue is a Roman copy of a Greek original in bronze. Just think for a second about how much the Romans learnt from the Greeks… After conquering their lands, they brought back home all their most beautiful artworks and took inspiration from them. Clearly, they couldn’t forget the Daidoumenos, a sculpture by one of the most famous artists of Classical Greece, Polykleitos.
In ancient Greek society people carefully followed the social rules of good behaviour. Women had to be good mothers. Kids and youths went to school, to the gym and were trained to be brave warriors. The elder ones inspired the new generations with their wise advice. And everyone prayed to the gods during the religious festivities. There was a time though, when almost everything was allowed and when social rules of good behaviour could be forgotten: the symposium. Museums are filled with vases showing symposiasts having fun and playing, precisely because the Greeks, like the Egyptians, the Mesopotamians, the Chinese and the Anglo-Saxons, often buried their dead with games (or scenes of games), in order to allow them to have fun during their afterlife.
Just a heads up:things in bold might be answers to bonus questions on your Fun & Games hunt! The First ever Version in Italian will be on Friday April 3rd at 5.30 pm. You can also read this blog in Italian here!
From sculptures to pottery, from paintings to temples, mythology is a broad topic in ancient Greek art and architecture. The Parthenon architecture, one of the most famous ancient complexes of all times, is a striking example of how the ancient Greeks took inspiration from their classical mythology to make sense of the real world.
Our final Love Hunt Blog before Valentine’s Day is all about its chubby little mascot: Cupid. Check out the whole series here, here and here! However our little cherub has a much more storied past, before he was reduced to selling cards and chocolates. Originally Eros in Greek, the God of Love, in some versions he is one of the oldest forces in the universe, predated only by Chaos and Gaia (Earth). Most commonly though the Romans knew little Cupid as the son of Venus, Goddess of beauty. Her husband was Vulcan, but Cupid’s father is Mars, God of War, naughty! (This might be useful on your hunt!)
Welcome to our new blog series, highlighting the great treasures in our British Museum Love Hunt. Discover some of the most famous lovers in history: Thetis and Peleus, The Ain Sakhri Lovers and Cupid and Psyche. This upright fellow has become a bit of a mascot for our Love Hunt at the British Museum. This…ahem, impressive piece has a hilarious and surprisingly stories history behind it.
Sekhmet was a fierce warrior goddess, protector of the pharaohs and daughter of the sun god Ra. She was the goddess of destruction and purging, and was worshipped in Memphis as ‘the destroyer’. Her name means, “the (one who is) powerful or mighty” but her nicknames include “(One) Before Whom Evil Trembles”, “Mistress of Dread”, “Lady of Slaughter” and “She Who Mauls”–sounds like a friendly lady. Pretty awesome nicknames, huh? Might be a good source of inspiration for coming up with your next THATMuse team name, right?
She’s often depicted as half woman/half lioness (Incidentally, can you think of any other gods and goddesses who also have animal features, perhaps featured on the THATMuse blog? Hint: his name begins with an H and he has the head of a hawk). Sekhmet was closely associated with the desert, and therefore often shown with a sun disk on her head.
In one myth, she was sent to earth to destroy her dad’s, Ra, enemies but she grew so bloodthirsty she almost killed off everyone—to stop her, Ra poured out a mass amount of beer stained red (with pomegranate juice) tricking Sekhmet into thinking it was blood. She drank so much of the red beer and became so drunk that she gave up killing people and went back sleepily and peacefully to Ra. When she awoke from her drunken stupor, the first thing she saw was Ptah—the god of creation, and fell instantly in love with him.
Every year there was a festival to honor Sekhmet, where Egyptians would get completely black-out drunk to imitate her. (Is it just me, or does this festival sound like a good excuse to throw a party?) Mankind also had to constantly appease her with offerings to abate her wrath. Egyptologists think that Amenhotep III built a temple with over 700 statues to her so that people could honor her every day of the year with a different statue. Hence part of the reason why statues of her abound: say hello to this bloodthirsty babe at the Louvre and the British Museum, and also at the Met and the Vatican (Don’t THATMet or THATVat have a ring to them?!)
See Part 1 of our Egyptian Gods series here! Just a heads up: some of the things in bold might be the answers to bonus questions on your hunt!
Isis gave birth to a baby boy with the head of a hawk (must have been a freaky experience), called Horus. When Horus was all grown up, he decided to fight his evil uncle Seth for the throne. (Since his parents were siblings, Seth was his uncle on both sides—freaky, right?)
Seth challenged Horus to a series of contests to see who would become king of Egypt. In one battle, Seth gouged out one of Horus’s eyes, but it was restored by the goddess Hathor (the mother of the sun god Ra). The ‘Eye of Horus’ became a symbol of healing and protection in Egyptian art. Keep an eye out for it next time you’re scouting out Egyptian treasure!
The contest that Seth and Horus had was a boat race. But this boat race had a twist: Seth and Horus would be racing boats of stone. Horus was a bit of a trickster, and built a boat that was actually wood, but covered with plaster to look like stone. Seth’s boat sank right away, of course, and all the gods laughed at him. Seth was angry at his failure and transformed himself into a huge hippopotamus and attacked his Horus’s boat. They fought, but just as Horus was about to kill Seth once and for all, the other gods intervened.
In the end, all of these contests proved pointless. Instead, the gods decided on a more sensible course of action: to write a letter to Osiris who wasGod of the Dead, and ask his advice. Osiris said that Horus was a better candidate for king as he had not killed anyone (this seems like a pretty solid criterion for most job descriptions, to be honest). Finally, Horus became King of Egypt.
Going back to Seth and Horus’s boat race, boats were an incredibly important symbol in Egyptian mythology. The solar god Ra, was thought to ride on his magical boat through the sky providing light to the world, and travelling to the underworld at night. Egyptian pharaohs were also thought to travel through the underworld on a boat after their deaths—have a look at Queen Mutemwia’s funeral barge at the British Museum pictured below.
Keep an eye out for depictions of Seth, Isis, Osiris and Horus in many of our British Museum themes, such as Fun + Games, Love Hunt, and of course the chilling Skull Scouting. Keep an eye out the same cast of characters while scouting out the Zodiac of Dendera and the Sarcophagus of Ramesses III at the Louvre in our Skull Scouting and Beauty and the Bestiary hunts there.