This post will continue what I started in the last blog post – to linger over just which shots would be must suitable. If anyone has a preference I’d be grateful for any inputs or votes. For instance – do you think we’d like a napping lady to fill one of these seats?
Recently my attention has taken a handful of dips south of the Seine to the lovely Musée d’Orsay. Recently we did the soft launch of THATd’Or (Treasure Hunt at the Musée d’Orsay, of course!) in conjunction with the AFMO (American Friends of the Musée d’Orsay), but it’s taken me an age to unroll the THATd’Or website and business plan. With this in mind I’m going to do a number of photographic posts, because after shooting rolls and rolls of film the editing process is – as usual – the hardest part.
And Black + White aside, would most people know what building this was … Read More
Following our post on the Old Kingdom, we’re now turning our attention to the Middle Kingdom (and yes, you guessed it, the next will be about the New Kingdom).
The beginning of the Middle Kingdom (after a hiatus of turmoil and strife over a succession struggle) was messy and did not immediately follow the Old Kingdom. There were two factions vying to control all of Egypt with the 11th Dynasty of Thebes controlling the Southern part and the 10th Dynasty from Herakleopolis ruling the north. Eventually the Middle Kingdom started when Mentuhotep II, of the northern Thebes, won control … Read More
THATKid Tuesday is a monthly dose of Art History for kids, running the 1st Tuesday of each month. In this series we’ll be blogging about different terms from the THATKid glossary we’ve created to help kids understand some of the art history terms that pop up in our hunts.
This time we’re going to look at Friars!
Take Fra Angelico, for example. He was the artist who used continuous narrative to tell the story of St Dominic’s life in the pradella. The ‘Fra’ in his name is an Italian word. It and the French word Frère (brother) come … Read More
Yes, I guess that title and caps-lock implies just how very much I like John Singer Sargent (1856-1925). He’s probably my favorite American painter*, expat or otherwise.
A Street in Venice, 1880, Clark Art Institute, Mass
I’m happy to say a second THATd’Or is imminently descending upon the coffered halls of the Musée d’Orsay! Kristina Tencic, the AFMO’s Communications Liaison, and I are co-hosting another treasure hunt. This time it’s private and for an exclusive group of expat Americans who’ve been in France for a long time. Who at the Musée d’Orsay could represent such a group better … Read More