THATMuse

Introducing our London KidPack!

We are very excited to announce the arrival of our new London KidPack! Joining our ever-successful Paris KidPack, it is full of fun activities, puzzles and creative fun. Add one as a bonus after a family treasure hunt at any of our three London museums, and keep the discovery going!

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Looking for a special gift for a special person? Have friends or family going to London or Paris at Easter, this summer or who may live there? Why not offer up a museum treasure hunt, making explorers of them for some maverick museum fun!

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Amazing Accessories: The Language of the Fan

By Masha Voyles

Just a handy hint: the bits in bold might be the answers to bonus questions on your hunt! Buy your tickets to the Fashion Hunt at the V&A here.

If there’s one wardrobe item that I’m praying fashion will eventually bring back, it’s the hand-held fan. They’re greener than air conditioner, a good workout for the arm, and often really, really pretty. There were floral fans, feather fans, ivory fans and printed fans, mask fans and even map fans (which were among the first tourist souvenirs).  

Fans also often had hidden messages in them. This ‘Royalist’ fan, pictured below, would have shown the holder’s support for the Stuart royal family after George I, Elector of Hanover seized the British throne in 1714. It shows members of the Stuart royal family in its folds. On the left, Charles II is shown hiding in a tree after having been defeated by Oliver Cromwell at the Battle of Worcester, and next to him Queen Anne is shown ascending to heaven. Who would need to read books about English history if everyone carried educational fans?! The fan both reveals and conceals the wearer’s allegiances: once slightly folded, it would only have shown a demure floral design. But that design also has a meaning: the white and red roses were actually the Stuart coat of arms. Pretty sneaky stuff, right?  

Royalist handheld fan from V&A collection showing support for Stewarts, 1700's
Royalist fan at the V&A 

There was even an entire fan ‘language’: for example, holding it with your little finger extended meant ‘goodbye’, presenting it shut meant ‘do you love me?’ and carrying it in the left hand in front of your face meant ‘we are watched’.  My personal favourite is ‘I love you’—you would draw your fan across your cheek—difficult to do this subtly, I think. Here’s a Vogue article linking a whole table of fan-language & its fun, secretive translations. Expanded vocabulary can of course be found at the V&A, where there are three British Royalist fans on display! Might want to memorise a few of them to up your flirting game!  

Are you signed up for our upcoming new hunt, the Fashion Hunt at the V&A (Kicking off Thanksgiving week from 2-4:30 pm on Sunday 24 November)? You may just have read the answers to some embedded bonus questions in this post! Tickets are limited, but can be bought on Eventbrite & find bonus answers in posts about fashionista Josephine Bonaparte (yes, Napoleon’s Empress) or the Pandora Doll, the predecessor of our runway sampling (which Napoleon banned, incidentally, frightened state secrets were sewn in and exported with these dolls!)

Historical Fashionistas: Josephine Bonaparte

By Masha Voyles

Just a handy hint: keep an eye out for answers to bonus questions on your hunt! Buy your tickets to the Fashion Hunt at the V&A here.

The Empress Josephine—Napoleon’s wife—was a massive shopaholic, and was always getting into trouble with her hubby for overspending. On the other hand, this was somewhat unfair, considering the fact that he would then make snarky comments if a woman wore the same dress twice in front of him. It was also part of Josephine’s duty as empress to restore the French luxury industry, which had been all but destroyed during the French revolution. She needed to be a trendsetter to convince the French people that conspicuous consumption was cool again (and that it wouldn’t lead to one getting one’s head removed!) 

Safe to say, Josephine took this part of her job description extremely seriously. She often wore white, both because Napoleon would often say how much he loved her in white, and because it was a luxurious colour (imagine how difficult it would have been to keep spotless in the days before washing machines!) Her style of dress was inspired by flowing, high-waisted Roman and Greek styles, thus differentiating herself from the ‘corrupt’, flowery 18th-century rococo styles of Marie-Antoinette and the Ancien Régime. 

François Gérard portrait of Empress Josephine on a throne in a crown and white dress, at the Museum of the History of France. 1800s
François Gérard portrait of Josephine at the Museum of the History of France

Take note of the high ‘Empire’ waistline in the portrait of her, and the gilded laurel-shaped embroidery at the bottom of the dress. The laurel is a symbol of triumph in Greek mythology—for example, the god Apollo is always represented wearing a laurel wreath. Might she also have been inspired by her husband Napoleon’s crown? (he’s often shown wearing a gold laurel crown in imperial portraits). 

Marble bust of Empress Josephine from the V&A Collection 1808 Joseph Chinard
Josephine in all her glory at the V&A

Want to learn more about Napoleon and his circle? Have a look at our blog post on the Borghese Beautyat the Louvre. It’s about Napoleon’s scandalous sister Pauline Borghese (of course posed as Venus Victrix), who was a feisty fashionista herself (when she fluttered down to keep her exiled brother company she brought her enormous wardrobe). The little corporal certainly did like trouble-making women! 

Are you signed up for the launch of our new Fashion Hunt at the V&A on Sunday 24 November? You may just have read the answers to some embedded bonus questions in this post! Tickets are limited, but can be bought here. You can also find bonus answers in our posts about Amazing Accessories (fans & their secret language!) and the Pandora Doll, the predecessor of our runway sampling (which Napoleon banned, incidentally, frightened state secrets were sewn in and exported with these dolls!

Before Anna Wintour? The Pandora Doll

By Masha Voyles

Just a handy hint: the bits in bold might answer bonus questions on your hunt!  Buy your tickets to the Fashion Hunt at the V&A here.

How on earth was a fashionable lady in the 18th century able to keep up with the latest trends? The answer was the Pandora, or miniature dolls dressed up in the latest modes. Keep in mind, this was long before magazines were invented—and the first ones were incredibly rare and expensive, as they were hand-painted by groups of (probably shockingly underpaid) little girls and young women! Clothing was also far more expensive than it is today, so it was important to know all the details of the cut, colour and fabric that you wanted.  

18th Century French Pandora fashion doll wearing gold dress with colourful details and with a creepy face

In 1712, when Britain and France were at war with each other, Pandora dolls were exempt from the ban on enemy imports, and even received a military escort! Marie-Antoinette, when preparing to go over to France from Austria, got sent a host of these dolls in different fabrics and fashions.  

An English 18th –century fashion doll in the Fashion Gallery at the V&A. There are 6 fashion dolls in the same room.  

With the advent of cheaper, ready-to-wear clothes and fashion magazines, fashion dolls seemed like a thing of the past. However, they made a brief return in 1945 in France just after WWII. The French economy—and the haute couture industry—was in tatters. The Chambre Syndicale de la Haute Couture in Paris decided to commission designers to dress these knee-high fashionistas in their creations, and to display them against lavish sets. The dolls were sent on tour all around the world and were called the ‘Theatre de la Mode’.  

fashion dolls from the ‘Theatre de la Mode’, now at the Maryhill Museum of Art in Washington State.
fashion dolls from the ‘Theatre de la Mode’, now at the Maryhill Museum of Art in Washington State. 

Are you signed up for the launch of our new Fashion Hunt at the V&A (Kicking off Thanksgiving Week at 2-4:30 Sunday 24 November)? Bonus questions are embedded in your treasure text. You may just have read the answers to some embedded bonus questions in this post! Tickets are limited, but can be bought here & find bonus answers in upcoming posts about Amazing Accessories (fans & their secret language!) and the feisty Fashionista, Josephine Bonaparte (yes, Napoleon’s Empress) the predecessor of our runway sampling, the Pandora Doll!

Paranoid Napoleon banned the Fashion Doll, because he was scared that state secrets could be sewn into the dresses & exported with spies!

Cafés at the Victoria & Albert Museum

Gamble room by Joseph Gamble in the V&A restaurant. Beatiful white marble and gold columns and decoration.
Gamble room, James Gamble, 1865 – 78. © Victoria and Albert Museum, London

Fittingly for a museum of art and design, there are three beautiful and inspiring places to eat, drink and rest inside the V&A. The Main Cafe is also the worlds very first museum cafe, with its three rooms still in their original design. All of these can also make great places for score tallying and prize giving after you THATMuse Treasure Hunt!

V&A garden cafe, with tables and chairs under umbrellas near trees and water feature
The Garden Café. © Victoria and Albert Museum, London

The Garden Café

In one corner of the V&A’s beautiful garden is the relaxed Garden Café. Serving coffees, cakes and other refreshments in the heart of the buildings, its the perfect place to admire the building’s uniquely beautiful architecture.
We often begin our Travel Trail and Fashion Hunts here, (weather permitting!) and it can be a lovely place to dip your toes in the pool and enjoy the sun.

The Garden Café is open all year, weather dependent in December and January.

Sleek glass front of Sackler Courtyard cafe with white tables and chairs outside V&A
The Courtyard Café. © Victoria and Albert Museum, London

The Courtyard Café

The new Courtyard Café at the Exhibition Road entrance is a stylish place to grab a bite, right next to the exciting special exhibition gallery. Depending o time of day it serves healthy breakfast pastries, open sandwiches and salads for lunch, as well as an interesting selection of British craft beer and sparkling wine.

Opening times:
Daily: 8.30 – 17.45
Friday: 8.30 – 20.30

Please note: occasionally the Courtyard Café will not open until 10.00 due to museum events.

Green decorated walls and stained glass windows in Morris room, 1866 – 8 Victoria and Albert Museum, London
Morris room, 1866 – 8. © Victoria and Albert Museum, London

The Main Café
Gamble, Morris and Poynter Rooms

The V&A’s main cafe is actually the world’s first museum cafe! First built in the 1860’s, long before London’s other museums invested in catering, the South Kensington Museum as it was then known was a bit more of a trek out of the city proper than it is today. So the founding Director Henry Cole decided a restaurant would attract more visitors and aid in their enjoyment of the wonderful collection. He hired three eminent designers to decorate the rooms;  James Gamble, William Morris and Edward Poynter.
These incredible rooms now host a huge range of hot and cold meals, drinks and treat. You can even book a replica High Tea that Queen Victoria herself enjoyed!

Opening hours:
Daily: 10.00 – 17.10
Friday: 10.00 – 21.15

Blue porcelain wall decoration, stained glass windows and iron fireplace in Poynter room V&A
The Poynter Room

By Halle Trang

It might come as no surprise to you that museums are very popular locations to film in. Some of the greatest museum halls in London and Paris act as great backdrops for action scenes, and the actual art pieces provide amazing visual appeal in music videos. We scoured the internet to find movie clips and music videos that were filmed in the very museums we host treasure hunts in. Keep reading below to find out which movies were filmed in the Louvre, Musee d’Orsay, British Museum, Natural History Museum, and the V&A!

JEAN-LUC GODARD’S BANDE A PART (1964)

Louvre, 40-second movie clip

This short clip comes from Jean-Luc Godard’s Bande á Part, which shows three naughty New Wave teens in the 60s, running through the venerable halls of the Louvre. How different the museum looked back then! Do you recognise the rooms they’re racing through or the Daru stairs they’re tumbling down? Can you imagine the stairs being as empty today?

THE CARTERS’S “APES**T” (2018)

Louvre, 6-minute music video

This is a 6-minute music video by Beyonce and Jay-Z in the Louvre taken place in the Denon & Sully wings at night. Please note there are many expletives in this song, so you may want to view before sharing it with your children. I show it to my kids every time we visit, quizzing them on naming the painters, dates, periods and titles of the works that appear (from Venus de Milo to Gericault’s Raft of Medusa and the Great Sphinx of Tanis), but completely understand if you want to edit this due to the swear words.

MARTIN SCORSESE’S HUGO (2011)

Musee d’Orsay, 1-minute movie clip of opening scene

Although it was once a train station, the Musee d’Orsay has now been transformed into the wonderful museum that it is. It is most commonly known for its clocks, which were repurposed and are now used as windows that overlook the beautiful city of Paris. This opening scene in Hugo shows the main character climbing to the top and looking out at the Parisian streets through the clock face.

ALFRED HITCHCOCK’S BLACKMAIL (1929)

British Museum, 3-minute movie clip

We can instantly recognise the tall columns of the British Museum’s main entrance in this movie clip, which shows a chase scene through the museum and what was once the British Library. This was one of Hitchcock’s first films to have a chase scene near a famous landmark, foreshadowing other greats like North by Northwest. Imagine if we had access to the domed roof like the actors did!

PAUL KING’S PADDINGTON (2014)

Natural History Museum, 4-minute behind-the-scenes video

Taxidermist and antagonist Millicent Clyde, played by Nicole Kidman, only has one goal in mind: capture Paddington the bear for his rare hide. This clip gives viewers a behind-the-scenes look into the making of the film. Many of the Kidman scenes take place in the museum’s animal exhibitions, but can you spot any other famous attractions? (Think dinosaurs!)

ALEX KURTZMAN’S THE MUMMY (2017)

Natural History Museum, 1-minute behind-the-scenes video

Once again, a movie is filmed displaying the grand staircase in the central hall of the Natural History Museum. In this short 1-minute clip, Tom Cruise’s character is seen running across this area as shards of glass and dust fly towards him. Do you think the museum looks exactly the same as in the 2014 film Paddington?

THE CHEMICAL BROTHERS’S “HEY BOY HEY GIRL” (2008)

Natural History Museum, 3-minute music video

Our third find in the Natural History Museum comes not from a film, but a music video! The Chemical Brothers, a British big beat duo, came out with this song in 1999, but it wasn’t until 2008 that the music video for it was published on Youtube. In this music video, a young schoolgirl roams around the museum on her own and stares in fascination at the various skeletons and fossils around her.

DAVID KOEPP’S MORTDECAI (2015)

Victoria and Albert Museum, 2-minute movie trailer

The National Art Library’s reading rooms found in the Victoria and Albert Museum (V&A) in London are popular filming areas due to their grandeur and great lighting. In this movie trailer, you can see Lord Charlie Mortdecai (Johnny Depp) and Inspector Alistair Martland (Ewan McGregor) discussing a missing painting in those exact reading rooms from 0:25-0:37.

Can you think of more films or music videos that take place in any other museums across London or Paris? Let us know in the comments below!

To close off our new Islamic wings visits, we’re hopping across the pond from London’s Victoria and Albert Islamic Wing to NY. In 2011 The Met opened 19,000 sq feet (1770 m) of space devoted to Islamic art (the formal name of which is so long I’m not going to bother with it here). They haven’t had a new wing devoted to Islamic art since 1975. Worse, still, that was closed in 2003 to make room for the expanded Greek and Roman wing (which is utterly divine, by the way). The irony being, of course that this decision was made 2 years after 9/11, the very same year Chirac was ordering the Louvre’s Islamic collection. At the time plenty of critics pointed out that the west was being given priority so literally over the middle east.


Met, stanboul2000.wordpress.com

Mistakes aside, the Met’s made right and after nearly a decade of debating has invested 50 million dollars to showcase their 12,000-piece strong Islamic collection. Construction started in 2009, in the midst of economic hardship, and this past November opened their 15 rooms.  I would like to have a brief visit with the naturalist painter, Mansur, a fine Indian included in the permanent collection, but just a quick aside:

The Met made an interesting decision to include a 16th century illuminated manuscript folio of the Prophet Muhammad. Thomas Campbell, de Montebello’s replacement, said “we hope that does not become a lightening-rod issue.” I don’t much care for Campbell (basically because he’s not Philippe de Montebello. When I was at Vanity Fair and fearful of losing any cultural education, I volunteered at the Met often, which is when I fell in love with the cadence of de Montebello’s voice and fine lemon-lipped accent. He could be telling the room the sky was blue and I’d find it sublimely insightful), but I respect Campbell for saying that the reason Muhammad is included is because they didn’t want to be accused of ‘ducking’ the issue.

There are tons of pieces to choose from, among them the Damascus Room, an 18th C wood-paneled reception chamber entirely intact, but for now I’d like to have a small visit with this blue bull, Nilgai. It is a page or leaf from the Shah Jahan Album (aka the Emperor’s Album or the Kevorkian Album).

Ink, opaque water color and gold on paper, he’s painted by the “Wonder of his age”, Mansur. During Jahangir’s reign (1605-1627) in the Mughal Empire, the painter Mansur accompanied the Emperor everywhere in order to paint page after page of natural phenomena. I suppose one could argue that Jahangir would have surely been a blogger, because as a copious diary keeper, he also insisted on having drawings to enhance his stories. And nature was his muse. This finely framed, delicate-legged bull antelope is taxonomically correct apparently. I wouldn’t know I haven’t ever seen an antelope, let alone a blue-tinged bull antelope. But there’s something sweet about the fellow. Here’s a real one, though he doesn’t look so blue to me, nor so sweet with those sharp horns.

a real blue bull, aviandiversity.com

Perhaps I was struck by Mansur’s gentle soul because he reminded me of an old friend at the Louvre, Pieter Boel: Another 17th Century naturalist painter, who has made plenty of appearances in plenty of THATLous. Hmmmm. Thoughts for the next post are already bubbling!

Largest, Oldest, Most Famous. These adjectives catch my attention. Continuing on this thread of new Islamic art wings at major museums (the Louvre, The Met), we’ve crossed the channel to London’s Victoria and Albert. The centerpiece to the Jameel Gallery of Islamic art, which opened in July 2006, is just that: The largest, the oldest signed, and undoubtedly the most famous Persian carpet in the world. Behold the Ardabil Carpet.

The Carpet at the V&A
LACMA Los Angeles

When William Morris, an art referee for the museum at the time (and the grandfather of textile design), first saw the Ardabil carpet in 1893 he was smitten, describing it as “the most remarkable work of art … the design is of singular perfection …”, banging on in delirious delight. Morris didn’t know that it was one of a pair (the other of which is at LACMA in Los Angeles, and was at one point in JP Getty’s possession).

Measuring 10.51m x 5.34m (34.4 x 17.6 feet), it has over 26 million knots of silk and wool. The pair took more than 4 years to weave and were laid on the floor of the burial place of Shaikh Safi al-Din, the founder of the Safavid Dynasty. They were in the mosque of Arbadil (NW Persia) from 1539-40, when they were made on royal commission, till 1890 when they left Iran for England. The inscription of the weaver (who wasn’t really a slave, but probably using the word in humility)

I have no refuge in the world other than thy threshold.
There is no protection for my head other than this door.
The work of the slave of the threshold Maqsud of Kashan in the year 946 (Muslim calendar).

 

After years of having it hanging from the wall, the Jameel Gallery had it restored outdoors near Wales. A slanted platform was made for it to rest and fresh river water, which is low in minerals there apparently, washed it clean. For some reason this amazes me the most about the Ardabil carpet – that it wasn’t cleaned in a scientist’s restoration lab. It is no longer hanging, but flat, and the V&A have a high-tech non-reflective whoosiwhatsit suspended above it so to protect the 10 colours from damage. Every half hour a dim light is switched on to illuminate it. A precious flash to behold this singular perfection.

 

The idea here is that the more you read of this THATMuse blog, the more likely you’ll be to find hints to existing THATMuse treasure… The more you read, the more you’ll win. This Ardabil carpet, however, is an exception. Not only would it be too easy to find in a THATVA, it is too fine to take photos of. Something sacred to even the THATMuse gods!

What more appropriate to the Beauty & Bestiary theme (or the Ladies au Louvre theme) than to linger on Three Graces (of which the Louvre has many – from Lucas Cranach’s to the Borghese 3 Graces) Bestiaries are fantastical animals, such as griffins, centaurs, unicorns, even gargoyles. They appear in all sorts of fun places, such as scrutinising Paris a-top the belfry of Notre Dame (Gargoyles), or overlooking Darius’s Palace at Susa (Griffins), as written about in the Benetton of Near Eastern Art.

So until I’ve reached a decision for the next THATLou, I’m going to linger on these two subjects, the Beauty and the Beast, and if you have a say on which subject would make the best THATLou theme, please feel free to either vote on the THATMuse facebook page or leave a comment here.

Three Graces (1482) detail in Sandro Botticelli’s Primavera at the Uffizi, Wikipedia

What personifies beauty or ladies in the arts for me are The Three Graces. The Encyclopedia Britannica (1974 edition) defines The Three Graces:

Greek = Charities, Latin = Gratiae. In Green religion = Goddess of Fertility. The name refers to the pleasing or charming appearance of a fertile field or garden. Their number varied in different legends, but usually there were three: Aglaia (Brightness also Elegance), Euphrosyne (Joyfulness also Mirth, Good Cheer) and Thalia (Bloom also, Youth and Beauty, Festivities).

Depending on the legend, they’re said to be the daughters of Zeus and Hera (or Eurynome is the daughter of Oceanus sometimes) or Helios and Aegle (a daughter of Zeus). Frequently the Graces were taken as goddesses of ‘charm’ or ‘beauty’ and hence were associated with Aphrodite (the Goddess of Love), Peitho (her attendant) and/or Hermes, a fertility and messenger god.

In early times they were often represented with drapery, but by the time the Romans got to them they were usually full-fledged flashing us: Unembarrassed of their beautiful form, and usually draped around one another opposed to in drapes. More to come on them this week.

Three Graces (1503-1504) Raphael, Museée Condé, Chantilly France, WikiPaintings

An example of Bestiary, to wait their turn and be covered after lingering on some beauty with various Three Graces…

Centaur, Borghese Collection Louvre, http://www.ArsMagazine.com

* The first image of the Three Graces is a sculpture by Antonio Canova (1814-1817), which is currently at the Victoria and Albert Museum in London, who launched a public campaign to purchase it, much the way the Louvre bought Lucas Cranach’s Three Graces with another museum grassroots campaign.

Here are a few Chelsea places we’ve done score tallying for both travelling families on Luxe Hunts as well as for group hen hunts and prize giving ceremonies for corporate clients like Random House and Superdrug. As the V&A and Natural History Museum are just across from each other, the directions remain the same:

Bunch of Grapes (Pub)

Pub exterior, taken from TripAdvisor.

Bunch of Grapes is a lovely Victorian English pub, with original stensiled glass grand décor and dark woods throughout, with pleasant upstairs. We’ve conducted score tallying and prize-giving for up Random House here, a group of over 70 people. Bookings can be made online or by calling. Online booking for up to 8, requests can be submitted for large groups which are seated in the upstairs dining room. Service is always pleasant but it can be slow. This is a Greene King Pub.

Address: 207 Brompton Road, Knightsbridge, London SW3 1LA
Phone: 0207 589 4944
Hours: 11:00- 23:30
Prices: circa £10 – 16
Web:https://www.greeneking-pubs.co.uk/pubs/greater-london/bunch-of-grapes/menu/main-menu

Directions:

  1. Exit the V&A or Natural History Museum via the Exhibition Road Entrance/ Exit, turning right
  2. Turn left onto Cromwell Gardens
  3. Turn right at Brompton Square Turn Right on Brompton Square and you will have arrived at your destination!
nhm to bunch of grapes

Hoop and Toy (Pub)

Pub exterior, taken from TripAdvisor.

Hoop and Toy is a cute, traditional English pub, with unique whisky and brandy bottle décor. It’s a cozy, welcoming environment, great for families and groups of friends and colleagues. Bookings can be made online or by calling. Online booking for up to 8, requests can be submitted for large groups. This is a Greene King Pub.

Address: 34 Thurloe Place, Kensington SW7 2HQ
Phone: 02075 898360
Hours: 11:00- 00:00
Prices: circa £10 – 16
Web:https://www.greeneking-pubs.co.uk/pubs/greater-london/hoop-toy/menu/main-menu

Directions:

  1. Exit the V&A or Natural History Museum via the Exhibition Road Entrance/ Exit
  2. Turn right and continue straight, eventually crossing Cromwell Road
  3. Turn Right on Thurloe Street- Hoop and Toy will be on your right, on the bend in the road
nhm to hoop and toy

Honest Burgers

Outside the South Kensington Honest Burgers, from TripAdvisor.

Honest Burgers is popular with kids and is just a short walk from either the NHM or the V&A. It has a cute, urban feel, and is better for small groups since the space isn’t that large. If you’re coming with a larger group, they would prefer that you call ahead two weeks in advance. Best availability is 3-6 on weekends. Honest Burgers offers mostly indoor seating but does have a few outdoor tables. Extremely friendly staff, eager to help and very attentive. Honest has both beef and chicken burgers, rosemary fries and delicious cocktails (preferred that drinks are ordered with food as the space is so small). Not extremely kid-friendly.

Address: 24 Thurloe Street, London SW7 2LT
Phone: +44 (0)20 3019 6440
Hours: Mon – Sun 09:30 – 13:00
Prices: circa £7 – 13 (menu here)
Web: https://www.honestburgers.co.uk/

Directions:

  1. Exit the V&A or Natural History Museum via the Exhibition Road Entrance/ Exit
  2. Turn right and continue straight, eventually crossing Cromwell Road Turn Right on Thurloe Street
  3. Honest Burgers is almost directly in front of you
nhm to honest burgers

The Kensington Creperie

The café exterior, from this blog.

The Kensington Creperie offers traditional French crepes just a short walk from the Natural History and V&A Museums. Crepes are offered as both savory and sweet and the café also serves waffles and a variety of smoothies, juices, milkshakes and hot drinks. Typically, reservations aren’t necessary, but you can always call ahead to check availability. This option is better for small groups and families.

Address: 2-6 Exhibition Road, South Kensington, London SW7 2HF
Phone: 020 7589 8947
Hours: Sun to Thurs: 9:00 am – 11:00 pm Fri to Sat: 9:00 am – 11:30 pm
Prices: circa £5 – 15
Web: http://kensingtoncreperie.com/wp-content/uploads/2018/02/KC-Menu-1.pdf

Directions:

  1. Exit the V&A or Natural History Museum via the Exhibition Road Entrance/ Exit
  2. Turn right and continue straight, eventually crossing Cromwell Road
  3. The destination will be on your left (it has Green Awnings)
nhm to kensington creperie

MEETING POINT

Appropriate to our company name, your THATMuse Rep will be standing at a bust of a ‘Muse’. Upon entering from the main Cromwell Road entrance, we’ll be directly to the left of the revolving doors (marked as Stairwell A on V&A maps of the ‘Grand Entrance’). Your THATMuse Rep will have a white canvas THATMuse tote.

TOOLS

Freshly charged batteries in your phones/cameras (per team) & comfy shoes.


Your THATMuse Mission

Photo your team in front of as many pieces of Treasure as possible within the given amount of time (90 mins to 2 hrs.)
With each treasure photo you’ll earn 20 game points (about 500 game points), however, with careful reading you could pick more than 1000 bonus THATMuse points. There are several ways to do this. Our bonus questions fall into three key categories:

– Scrutiny (looking more carefully at the piece or surrounding rooms)
– Silliness (willing to trot like a Tang horse for bonus points?)  
– Knowledge (All of these questions can be answered within another piece of treasure text, within the hunt) 

There are also a variety of more artistic challenges & Letter Scrambles spelling out your prize treasure with THATMuse Letters embedded in the text, worth 100 bonus THATMuse points! We’ve intentionally provided more treasure text & fun than you could read about within the given time in the hope that you’ll want to return or extend your visit (& to ensure strategy!)




RULES

  1. Teams must stay together, must not run, jump, shout & no no NO touching anything
  2. No external help… If seen speaking to a tourist-in-the-know or V&A staff you’re automatically eliminated; Likewise, no googling the Japanese, no GPS-ing the Fashion Dept, or using anything other than your hunt & map… No phoning your Sinologist Aunt for help, either!
  3. Please be sure you have one (1) Master Copy with all the answers and only use one (1) camera/phone (to facilitate score tallying). In respect to Museum policy please mute your phones & no flash photography.
  4. Must meet back at starting point at the agreed time. Each minute late merits 5 negative points, per minute (!!) There are sometimes strategical reasons to be late, but attention: if you’re more than 10 mins late, you’re ousted!