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When to book your Louvre Tickets

Before you can begin treasure hunting through the Louvre’s amazing collection, you first have to get inside! The museum has a charge to enter and it is much easier, and much faster to book online in advance, to save you waiting in long boring queues.

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Looking for a special gift for a special person? Have friends or family going to London or Paris at Easter, this summer or who may live there? Why not offer up a museum treasure hunt, making explorers of them for some maverick museum fun!

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GIRAFFE START & FINISH POINT

You’ll meet your THATMuse Rep at the Giraffes in the main Hintze Hall. They will have a white canvas THATMuse tote and prior to your hunt their name and contact details will be emailed to you.

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MEETING POINT

Your first task will be to find our meeting point within the British Museum’s Great Court lobby. If entering the museum from the main entrance on Great Russell St, the circular Information Desk is to the right (within the Great Court); we’ll meet behind the Info Desk, at the Roman equestrian prince statue (photo herewith). Your THATBrit Rep will have a white canvas THATMuse tote.

treasure hunters posing as egyptians in front of roman equestrian statue in the British Museum's great court

TOOLS

Please be sure to have freshly charged batteries in your phone or camera. Please visit the cloak room &/or toilet before our meeting time.

ROLES

  1. Navigator (good with a map)
  2. Scribe (who’s got the best penmanship?)
  3. Reader (the lawyerly type who’ll catch bonus questions embedded in the treasure text)
  4. Organiser (who’ll keep an eye on the clock and make sure you’re in order) and of course the photographer. Some of these roles can overlap, of course.

YOUR THATMUSE MISSION

Photo your team in front of as many pieces of THATBrit Treasures as possible within the given amount of time (90 mins to 2 hrs.)
With each treasure photo you’ll earn 20 game points (about 500 game points), however, with careful reading you could pick more than 1000 bonus THATMuse points. There are several ways to do this. Our bonus questions fall into three key categories:

– Scrutiny (looking more carefully at the piece or surrounding rooms)
– Silliness (willing to trot like a Tang horse for bonus points?)  
– Knowledge (All of these questions can be answered within another piece of treasure text, within the hunt) 

There is also an artistic challenge & Letter Scramble spelling out your prize treasure with THATMuse Letters embedded in the text, both worth 100 bonus THATMuse points! We’ve intentionally provided more treasure text & fun than you could read about within the given time in the hope that you’ll want to return or extend your visit (& to ensure strategy!)

THATMuse is entirely independent of the British Museum as such, we unfortunately have no control of rooms they close off (which changes within the day)


RULES

(in addition to photographing your team in front of as many pieces of treasure as possible)

  1. Teams must stay together at all times, must not run, jump or shout.
  2. No external help… If seen speaking to a tourist-in-the-know or BM staff you’re automatically eliminated; Likewise, no googling the Mesopotamians, no GPS-ing where the Greeks are, or anything other than your hunt & map… No phoning your Egyptologist Aunt for help, either!
  3. Please be sure you have one (1) Master Copy with all the answers and only use one (1) camera/phone (to facilitate score tallying). In respect to Museum policy please mute your phones & no flash photography.
  4. Must meet back at starting point (X on your map) at the precise time agreed. Each minute late merits 10 negative points, per minute (!!) There are sometimes strategical reasons to be late, but attention (!!): if you’re more than 10 mins late you’re ousted!

For small doses of Museum/Art Trivia, tune in (share or contribute your own!) to Twitter (@THAT_Muse_) and FB page for daily posted #THATMuseFacts! Or just follow us to see fun #THATMuse hunting snaps!

Amazing Accessories: The Language of the Fan

By Masha Voyles

Just a handy hint: the bits in bold might be the answers to bonus questions on your hunt! Buy your tickets to the Fashion Hunt at the V&A here.

If there’s one wardrobe item that I’m praying fashion will eventually bring back, it’s the hand-held fan. They’re greener than air conditioner, a good workout for the arm, and often really, really pretty. There were floral fans, feather fans, ivory fans and printed fans, mask fans and even map fans (which were among the first tourist souvenirs).  

Fans also often had hidden messages in them. This ‘Royalist’ fan, pictured below, would have shown the holder’s support for the Stuart royal family after George I, Elector of Hanover seized the British throne in 1714. It shows members of the Stuart royal family in its folds. On the left, Charles II is shown hiding in a tree after having been defeated by Oliver Cromwell at the Battle of Worcester, and next to him Queen Anne is shown ascending to heaven. Who would need to read books about English history if everyone carried educational fans?! The fan both reveals and conceals the wearer’s allegiances: once slightly folded, it would only have shown a demure floral design. But that design also has a meaning: the white and red roses were actually the Stuart coat of arms. Pretty sneaky stuff, right?  

Royalist handheld fan from V&A collection showing support for Stewarts, 1700's
Royalist fan at the V&A 

There was even an entire fan ‘language’: for example, holding it with your little finger extended meant ‘goodbye’, presenting it shut meant ‘do you love me?’ and carrying it in the left hand in front of your face meant ‘we are watched’.  My personal favourite is ‘I love you’—you would draw your fan across your cheek—difficult to do this subtly, I think. Here’s a Vogue article linking a whole table of fan-language & its fun, secretive translations. Expanded vocabulary can of course be found at the V&A, where there are three British Royalist fans on display! Might want to memorise a few of them to up your flirting game!  

Are you signed up for our upcoming new hunt, the Fashion Hunt at the V&A (Kicking off Thanksgiving week from 2-4:30 pm on Sunday 24 November)? You may just have read the answers to some embedded bonus questions in this post! Tickets are limited, but can be bought on Eventbrite & find bonus answers in posts about fashionista Josephine Bonaparte (yes, Napoleon’s Empress) or the Pandora Doll, the predecessor of our runway sampling (which Napoleon banned, incidentally, frightened state secrets were sewn in and exported with these dolls!)

Historical Fashionistas: Josephine Bonaparte

By Masha Voyles

Just a handy hint: keep an eye out for answers to bonus questions on your hunt! Buy your tickets to the Fashion Hunt at the V&A here.

The Empress Josephine—Napoleon’s wife—was a massive shopaholic, and was always getting into trouble with her hubby for overspending. On the other hand, this was somewhat unfair, considering the fact that he would then make snarky comments if a woman wore the same dress twice in front of him. It was also part of Josephine’s duty as empress to restore the French luxury industry, which had been all but destroyed during the French revolution. She needed to be a trendsetter to convince the French people that conspicuous consumption was cool again (and that it wouldn’t lead to one getting one’s head removed!) 

Safe to say, Josephine took this part of her job description extremely seriously. She often wore white, both because Napoleon would often say how much he loved her in white, and because it was a luxurious colour (imagine how difficult it would have been to keep spotless in the days before washing machines!) Her style of dress was inspired by flowing, high-waisted Roman and Greek styles, thus differentiating herself from the ‘corrupt’, flowery 18th-century rococo styles of Marie-Antoinette and the Ancien Régime. 

François Gérard portrait of Empress Josephine on a throne in a crown and white dress, at the Museum of the History of France. 1800s
François Gérard portrait of Josephine at the Museum of the History of France

Take note of the high ‘Empire’ waistline in the portrait of her, and the gilded laurel-shaped embroidery at the bottom of the dress. The laurel is a symbol of triumph in Greek mythology—for example, the god Apollo is always represented wearing a laurel wreath. Might she also have been inspired by her husband Napoleon’s crown? (he’s often shown wearing a gold laurel crown in imperial portraits). 

Marble bust of Empress Josephine from the V&A Collection 1808 Joseph Chinard
Josephine in all her glory at the V&A

Want to learn more about Napoleon and his circle? Have a look at our blog post on the Borghese Beautyat the Louvre. It’s about Napoleon’s scandalous sister Pauline Borghese (of course posed as Venus Victrix), who was a feisty fashionista herself (when she fluttered down to keep her exiled brother company she brought her enormous wardrobe). The little corporal certainly did like trouble-making women! 

Are you signed up for the launch of our new Fashion Hunt at the V&A on Sunday 24 November? You may just have read the answers to some embedded bonus questions in this post! Tickets are limited, but can be bought here. You can also find bonus answers in our posts about Amazing Accessories (fans & their secret language!) and the Pandora Doll, the predecessor of our runway sampling (which Napoleon banned, incidentally, frightened state secrets were sewn in and exported with these dolls!

Before Anna Wintour? The Pandora Doll

By Masha Voyles

Just a handy hint: the bits in bold might answer bonus questions on your hunt!  Buy your tickets to the Fashion Hunt at the V&A here.

How on earth was a fashionable lady in the 18th century able to keep up with the latest trends? The answer was the Pandora, or miniature dolls dressed up in the latest modes. Keep in mind, this was long before magazines were invented—and the first ones were incredibly rare and expensive, as they were hand-painted by groups of (probably shockingly underpaid) little girls and young women! Clothing was also far more expensive than it is today, so it was important to know all the details of the cut, colour and fabric that you wanted.  

18th Century French Pandora fashion doll wearing gold dress with colourful details and with a creepy face

In 1712, when Britain and France were at war with each other, Pandora dolls were exempt from the ban on enemy imports, and even received a military escort! Marie-Antoinette, when preparing to go over to France from Austria, got sent a host of these dolls in different fabrics and fashions.  

An English 18th –century fashion doll in the Fashion Gallery at the V&A. There are 6 fashion dolls in the same room.  

With the advent of cheaper, ready-to-wear clothes and fashion magazines, fashion dolls seemed like a thing of the past. However, they made a brief return in 1945 in France just after WWII. The French economy—and the haute couture industry—was in tatters. The Chambre Syndicale de la Haute Couture in Paris decided to commission designers to dress these knee-high fashionistas in their creations, and to display them against lavish sets. The dolls were sent on tour all around the world and were called the ‘Theatre de la Mode’.  

fashion dolls from the ‘Theatre de la Mode’, now at the Maryhill Museum of Art in Washington State.
fashion dolls from the ‘Theatre de la Mode’, now at the Maryhill Museum of Art in Washington State. 

Are you signed up for the launch of our new Fashion Hunt at the V&A (Kicking off Thanksgiving Week at 2-4:30 Sunday 24 November)? Bonus questions are embedded in your treasure text. You may just have read the answers to some embedded bonus questions in this post! Tickets are limited, but can be bought here & find bonus answers in upcoming posts about Amazing Accessories (fans & their secret language!) and the feisty Fashionista, Josephine Bonaparte (yes, Napoleon’s Empress) the predecessor of our runway sampling, the Pandora Doll!

Paranoid Napoleon banned the Fashion Doll, because he was scared that state secrets could be sewn into the dresses & exported with spies!

Cafés at the Victoria & Albert Museum

Gamble room by Joseph Gamble in the V&A restaurant. Beatiful white marble and gold columns and decoration.
Gamble room, James Gamble, 1865 – 78. © Victoria and Albert Museum, London

Fittingly for a museum of art and design, there are three beautiful and inspiring places to eat, drink and rest inside the V&A. The Main Cafe is also the worlds very first museum cafe, with its three rooms still in their original design. All of these can also make great places for score tallying and prize giving after you THATMuse Treasure Hunt!

V&A garden cafe, with tables and chairs under umbrellas near trees and water feature
The Garden Café. © Victoria and Albert Museum, London

The Garden Café

In one corner of the V&A’s beautiful garden is the relaxed Garden Café. Serving coffees, cakes and other refreshments in the heart of the buildings, its the perfect place to admire the building’s uniquely beautiful architecture.
We often begin our Travel Trail and Fashion Hunts here, (weather permitting!) and it can be a lovely place to dip your toes in the pool and enjoy the sun.

The Garden Café is open all year, weather dependent in December and January.

Sleek glass front of Sackler Courtyard cafe with white tables and chairs outside V&A
The Courtyard Café. © Victoria and Albert Museum, London

The Courtyard Café

The new Courtyard Café at the Exhibition Road entrance is a stylish place to grab a bite, right next to the exciting special exhibition gallery. Depending o time of day it serves healthy breakfast pastries, open sandwiches and salads for lunch, as well as an interesting selection of British craft beer and sparkling wine.

Opening times:
Daily: 8.30 – 17.45
Friday: 8.30 – 20.30

Please note: occasionally the Courtyard Café will not open until 10.00 due to museum events.

Green decorated walls and stained glass windows in Morris room, 1866 – 8 Victoria and Albert Museum, London
Morris room, 1866 – 8. © Victoria and Albert Museum, London

The Main Café
Gamble, Morris and Poynter Rooms

The V&A’s main cafe is actually the world’s first museum cafe! First built in the 1860’s, long before London’s other museums invested in catering, the South Kensington Museum as it was then known was a bit more of a trek out of the city proper than it is today. So the founding Director Henry Cole decided a restaurant would attract more visitors and aid in their enjoyment of the wonderful collection. He hired three eminent designers to decorate the rooms;  James Gamble, William Morris and Edward Poynter.
These incredible rooms now host a huge range of hot and cold meals, drinks and treat. You can even book a replica High Tea that Queen Victoria herself enjoyed!

Opening hours:
Daily: 10.00 – 17.10
Friday: 10.00 – 21.15

Blue porcelain wall decoration, stained glass windows and iron fireplace in Poynter room V&A
The Poynter Room

SEKHMET THE DESTROYER  

black statue of lion headed Egyptian goddess sekhmet at the Louvre
Sekhmet at the Louvre

Sekhmet was a fierce warrior goddess, protector of the pharaohs and daughter of the sun god Ra. She was the goddess of destruction and purging, and was worshipped in Memphis as ‘the destroyer’. Her name means, “the (one who is) powerful or mighty” but her nicknames include “(One) Before Whom Evil Trembles”, “Mistress of Dread”, “Lady of Slaughter” and “She Who Mauls”–sounds like a friendly lady. Pretty awesome nicknames, huh? Might be a good source of inspiration for coming up with your next THATMuse team name, right?  

She’s often depicted as half woman/half lioness (Incidentally, can you think of any other gods and goddesses who also have animal features, perhaps featured on the THATMuse blog? Hint: his name begins with an H and he has the head of a hawk).  Sekhmet was closely associated with the desert, and therefore often shown with a sun disk on her head.  

four statues of sekhmet in room 4 British Museum wearing sun disk headdress.
Statues of Sekhmet in Room 4, British Museum

In one myth, she was sent to earth to destroy her dad’s, Ra, enemies but she grew so bloodthirsty she almost killed off everyone—to stop her, Ra poured out a mass amount of beer stained red (with pomegranate juice) tricking Sekhmet into thinking it was blood. She drank so much of the red beer and became so drunk that she gave up killing people and went back sleepily and peacefully to Ra. When she awoke from her drunken stupor, the first thing she saw was Ptah—the god of creation, and fell instantly in love with him.  

Egyptian papyrus with hieroglyphs and images of gods
Can you spot Sekhmet with her Sun disk headdress? How many other gods can you name?

Every year there was a festival to honor Sekhmet, where Egyptians would get completely black-out drunk to imitate her. (Is it just me, or does this festival sound like a good excuse to throw a party?) Mankind also had to constantly appease her with offerings to abate her wrath. Egyptologists think that Amenhotep III built a temple with over 700 statues to her so that people could honor her every day of the year with a different statue. Hence part of the reason why statues of her abound: say hello to this bloodthirsty babe at the Louvre and the British Museum, and also at the Met and the Vatican (Don’t THATMet or THATVat have a ring to them?!)  

OR; HOW TO DEFINITELY LOSE A BOAT RACE

See Part 1 of our Egyptian Gods series here!
Just a heads up: some of the things in bold might be the answers to bonus questions on your hunt!  

Isis gave birth to a baby boy with the head of a hawk (must have been a freaky experience), called Horus. When Horus was all grown up, he decided to fight his evil uncle Seth for the throne. (Since his parents were siblings, Seth was his uncle on both sides—freaky, right?)  

Sculpture from British Museum of falcon headed egyptian god horus on one knee with one fist raised and one to his chest

Seth challenged Horus to a series of contests to see who would become king of Egypt. In one battle, Seth gouged out one of Horus’s eyes, but it was restored by the goddess Hathor (the mother of the sun god Ra). The ‘Eye of Horus’ became a symbol of healing and protection in Egyptian art. Keep an eye out for it next time you’re scouting out Egyptian treasure!  

blue yellow and red eye of horus amulet from the British Museum
An Eye of Horus amulet from the British Museum Collection

The contest that Seth and Horus had was a boat race. But this boat race had a twist: Seth and Horus would be racing boats of stone. Horus was a bit of a trickster, and built a boat that was actually wood, but covered with plaster to look like stone. Seth’s boat sank right away, of course, and all the gods laughed at him. Seth was angry at his failure and transformed himself into a huge hippopotamus and attacked his Horus’s boat. They fought, but just as Horus was about to kill Seth once and for all, the other gods intervened.  

In the end, all of these contests proved pointless. Instead, the gods decided on a more sensible course of action: to write a letter to Osiris who was God of the Dead, and ask his advice. Osiris said that Horus was a better candidate for king as he had not killed anyone (this seems like a pretty solid criterion for most job descriptions, to be honest).  Finally, Horus became King of Egypt.  

Going back to Seth and Horus’s boat race, boats were an incredibly important symbol in Egyptian mythology. The solar god Ra, was thought to ride on his magical boat through the sky providing light to the world, and travelling to the underworld at night. Egyptian pharaohs were also thought to travel through the underworld on a boat after their deaths—have a look at Queen Mutemwia’s funeral barge at the British Museum pictured below.  

Black sculpture of Queen Mutemwia’s funeral barge; British Museum Room 4
Queen Mutemwia’s funeral barge; British Museum Room 4 

Keep an eye out for depictions of Seth, Isis, Osiris and Horus in many of our British Museum themes, such as Fun + GamesLove Hunt, and of course the chilling Skull Scouting. Keep an eye out the same cast of characters while scouting out the Zodiac of Dendera and the Sarcophagus of Ramesses III at the Louvre in our Skull Scouting and Beauty and the Bestiary hunts there. 

Or, How Not to Treat your Siblings!

Just a heads up: some of the things in bold might be a handy hint for your next treasure hunt!  

Geb, the sky god and Nut, the earth goddess had four children: Osiris, Isis, Seth and Nepthys. Osiris was the eldest son, so he became king of Egypt. He married his sister Isis, who became his queen. His younger brother Seth, was jealous of him, as he was loved and respected by everyone. 

Sandstone Egyptian tablet showing Seth and a worshipper with traces of paint and hieroglyphs
Seth (left) and one of his worshippers

One day Seth transformed himself into a gigantic, frightening monster and killed Osiris. Then, Seth cut Osiris’s dead body into itty-bitty pieces and scattered it all across Egypt. Seth was now king of all Egypt, ruling alongside Nepthys his wife and sister.  

Statue of Goddess Isis protecting a figure of Osiris with wings extending from her arms on either side of him, British Museum collection.
Isis protecting a figure of Osiris with her wings.

Isis cried and cried over her lost husband. She had magical powers, and decided to try and bring her husband back to life, at least long enough that they could have a child. Her sister Nepthys (Seth’s wife) felt sorry for her and helped her roam all of Egypt, looking for the itty-bitty pieces of Osiris’s body (sort of like a really, really gross treasure hunt actually).  She managed to find everything, except his penis, which she was forced to reconstruct with magic.  

Once they’d reassembled *most* of his body, Isis used her magic to bring him back to life. Soon after, she got pregnant with a baby boy (more about him in another blog post!) and Osiris descended to the underworld, where he became the God of the Dead. Unsurprisingly, he pops up a lot in the Egyptian Book of the dead, which was basically a book of spells, allowing you to pass safely to the underworld.  

Papyrus from the Book of the Dead showing judgment of the heart before Osiris Isis Horus Thoth and Anubis

Chapter 125 of the Book of the Dead at the British Museum—can you spot Osiris? It’s written on papyrus which is a reed that grows on the banks of the Nile river. 

This gory myth features again and again in Egyptian art, and also in our treasure hunts! Keep an eye out for depictions of Seth, Isis, Osiris and Horus in many of our British Museum themes, such as Fun + GamesLove Hunt, and of course the chilling Skull Scouting. Keep an eye out the same cast of characters while scouting out the Zodiac of Dendera and the Sarcophagus of Ramesses III at the Louvre in our Skull Scouting and Beauty and the Bestiary hunts there. No doubt, when we expand to NYC’s Met, our fine friends here will reappear (Temple of Dendur, anyone? Which only costs 50K to rent out!). 

By Halle Trang

It might come as no surprise to you that museums are very popular locations to film in. Some of the greatest museum halls in London and Paris act as great backdrops for action scenes, and the actual art pieces provide amazing visual appeal in music videos. We scoured the internet to find movie clips and music videos that were filmed in the very museums we host treasure hunts in. Keep reading below to find out which movies were filmed in the Louvre, Musee d’Orsay, British Museum, Natural History Museum, and the V&A!

JEAN-LUC GODARD’S BANDE A PART (1964)

Louvre, 40-second movie clip

This short clip comes from Jean-Luc Godard’s Bande á Part, which shows three naughty New Wave teens in the 60s, running through the venerable halls of the Louvre. How different the museum looked back then! Do you recognise the rooms they’re racing through or the Daru stairs they’re tumbling down? Can you imagine the stairs being as empty today?

THE CARTERS’S “APES**T” (2018)

Louvre, 6-minute music video

This is a 6-minute music video by Beyonce and Jay-Z in the Louvre taken place in the Denon & Sully wings at night. Please note there are many expletives in this song, so you may want to view before sharing it with your children. I show it to my kids every time we visit, quizzing them on naming the painters, dates, periods and titles of the works that appear (from Venus de Milo to Gericault’s Raft of Medusa and the Great Sphinx of Tanis), but completely understand if you want to edit this due to the swear words.

MARTIN SCORSESE’S HUGO (2011)

Musee d’Orsay, 1-minute movie clip of opening scene

Although it was once a train station, the Musee d’Orsay has now been transformed into the wonderful museum that it is. It is most commonly known for its clocks, which were repurposed and are now used as windows that overlook the beautiful city of Paris. This opening scene in Hugo shows the main character climbing to the top and looking out at the Parisian streets through the clock face.

ALFRED HITCHCOCK’S BLACKMAIL (1929)

British Museum, 3-minute movie clip

We can instantly recognise the tall columns of the British Museum’s main entrance in this movie clip, which shows a chase scene through the museum and what was once the British Library. This was one of Hitchcock’s first films to have a chase scene near a famous landmark, foreshadowing other greats like North by Northwest. Imagine if we had access to the domed roof like the actors did!

PAUL KING’S PADDINGTON (2014)

Natural History Museum, 4-minute behind-the-scenes video

Taxidermist and antagonist Millicent Clyde, played by Nicole Kidman, only has one goal in mind: capture Paddington the bear for his rare hide. This clip gives viewers a behind-the-scenes look into the making of the film. Many of the Kidman scenes take place in the museum’s animal exhibitions, but can you spot any other famous attractions? (Think dinosaurs!)

ALEX KURTZMAN’S THE MUMMY (2017)

Natural History Museum, 1-minute behind-the-scenes video

Once again, a movie is filmed displaying the grand staircase in the central hall of the Natural History Museum. In this short 1-minute clip, Tom Cruise’s character is seen running across this area as shards of glass and dust fly towards him. Do you think the museum looks exactly the same as in the 2014 film Paddington?

THE CHEMICAL BROTHERS’S “HEY BOY HEY GIRL” (2008)

Natural History Museum, 3-minute music video

Our third find in the Natural History Museum comes not from a film, but a music video! The Chemical Brothers, a British big beat duo, came out with this song in 1999, but it wasn’t until 2008 that the music video for it was published on Youtube. In this music video, a young schoolgirl roams around the museum on her own and stares in fascination at the various skeletons and fossils around her.

DAVID KOEPP’S MORTDECAI (2015)

Victoria and Albert Museum, 2-minute movie trailer

The National Art Library’s reading rooms found in the Victoria and Albert Museum (V&A) in London are popular filming areas due to their grandeur and great lighting. In this movie trailer, you can see Lord Charlie Mortdecai (Johnny Depp) and Inspector Alistair Martland (Ewan McGregor) discussing a missing painting in those exact reading rooms from 0:25-0:37.

Can you think of more films or music videos that take place in any other museums across London or Paris? Let us know in the comments below!