The Cross-Purpose Greek Pot

The Louvre Greek and Roman Antiquities, from

Ok, enough horsing around here, we’re going to cut strait to the chase and give you a sample, a teaser, a piece of the hunt! Which THATLou, you ask? Well, the below morsel is particularly great because it could fit into any number of near-future hunts.

Meet the Cross-Purpose Greek Pot, a world-famous Dinos by the Gorgon Painter…

There are two THATLous that this Dinos would be perfect for

– as the previous Gorgon post discussed, the very word the Greeks gave these ghoulish creatures means Horrible or Terrible. Terribly appropriate for Beauty + the Bestiary THATLou. Bestiary has been touched on here and there in past blog posts with Darius the Great’s wonderful Frieze of Griffins, and those gentle protecting Lamassus).

– And where would you find a Dinos other than at a symposium (FEAST) that the Greeks lingered over endlessly (appropriate for Foodies in France who may just opt to see the Louvre from the perspective of Food + Wine)? Of course a Dinos fits in there perfectly, to ground the floating debauched bacchuses from flying about, perhaps a bit too much wine needs some water!

Anyway, enough chatter from me. Here’s your hint, take it and run for the THATLou prize!

Gorgon Painter Greek pot at louvre, taken from 


Cerveteri (from Athens, Greece), Circa 580 BC

Clay, H 93cm

A Dinos was used to mix water and wine – and stood on a tall stand so the servants didn’t have to stoop during the long banquets that Dinoses were made for (The Greeks drank a lot of wine, but always diluted). This early Attic Dinos is of particular importance because it gave the Gorgon Painter his name – referring to the scene on one side of the pot with Perseus being chased by the Goggle-Eyed Gorgons, after he murdered their sister Medusa, shown collapsing after Perseus lobbed off her head: Death taking hold of her before our very eyes. Remember Medusa had turned all those who dared look in her eyes to stone. Perseus was clever enough (with Athena’s help) to approach her using the reflection of his shield like a rear-view mirror, thus avoiding his demise. The Gorgon Painter is one of the earliest masters of the Black Figure technique and a pioneer of the Attic tradition of figurative decoration on pottery. There is a convergence of influences on this Dinos – among the series of bands of friezes with alternating plant motifs and animals, including bestiary such as sphinxes and mermaids there are also male figures, a reference to the Oriental tradition of the Master of Animals.

POINTS: XXX (depends on the hunt)

Denon, lower ground floor, room 1 (in the “Pre-Classical Greek” section next to the Islamic collection)

Attic Black-Figured Dinos, by the Gorgon Painter, This is the only vase by the Gorgon Painter – who was prolific – to depict a complex narrative, but also the first Attic vase to do so at all… Don’t nod off — this is interesting enough stuff folks, to merit some bonus points!

For a background on Athenian red and black-figure vase painting the Met has a thorough summary here. As for their shapes, Wikipedia has a wonderful collection of photographs with their names – which if you click on the names will of course lead you to their purpose. Click here for that visit.


Remember if things are in bold it may just mean they’ll help you out with bonus questions embedded in your treasure hunt… In other words, worth taking note of!